• Durufle Prelude and fugue sur le nom Alain - Download as PDF File (.pdf), Text File (.txt) or read online.
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• Bach Prelude Fugue
• Prelude Fugue C Minor

Performed by 13 year old Dominic Fiacco on 03 December 2017 at Grace Episcopal Church, Utica, NY, Holtkamp organ; video courtesy of Grace Church and Christop.

The Prélude et Fugue sur le nom d’Alain, Op 7, is a tribute to Duruflé’s friend and colleague and the brother of the distinguished organist. Maurice Duruflé was a French composer, organist, and teacher. Contents. 1 Life and career Prélude et fugue sur le nom d’Alain op. 7 (); Prélude sur. Results 1 – 10 of 36 This page lists all recordings of Prelude & Fugue sur le nom d’Alain, Op. 7 by Maurice Duruflé ().

Introspection Late Night Partying. Summer Summer, The site is also available in several languages. The Subject 1 is a delicate eighth-notes figure slowly moving upward which spells out Alain’s name. During tohe taught harmony at Paris Conservatoire. On the other hand, Subject 2 id made of a sixteenth-notes figure moving down.

These subjects are presented separately in the beginning. Lanham, Maryland, and London,5. This site uses cookies. dugue

Duruflé: Prelude & Fugue sur le nom d’Alain, Op. 7 (page 1 of 4) Presto Classical

While still taking classes, his skirling, jazzy Litanies achieved fame with organists around the world. He formed his furufle style by employing impressionism and Gregorian chant in his music. Thistlethwaite, Nicholas, and Geoffrey Webber, ed. For instance, the Toccata from Suite, op.

He later suggests the use of a solo stop with for the melody in section B 8′ flute with principal, Cornet or Oboe. The two fugue subjects are expounded separately in fuugue time: Each section develops its own vector, its own force of contrasting shape and direction, which needs resolution or balance.

Maurice Duruflé

The two fugue subjects are expounded separately in compound time: This page was last edited on 20 Decemberat AllMusic relies heavily on JavaScript. Skip to main content. The transitions in this prelude also point out the contrasts between each section.

Now, starting at bar 65, the thematic material of Subject 2 turned as a counter subject or arpeggio supporting Subject 1. Romantic Evening Sex All Themes. Measure have the same type of closing gesture. A slight increase in tempo and a new theme in semiquavers bring an increase in tension, and this new theme is gradually combined with the first. He was promoted to an Officier de la Legion d’honneur in Second B can be characterized as the chant-like melody and the accompaniment.

Debussy’s idea of ‘arabesque’ is reflected in this piece by juxtaposing contrasting sections, undulating melodies, and unconventional way of fugal writing. Jann Pasler mentioned in his article: The double fugue is a stunning example of contrapuntal writing.

Log In Sign Up. He was posthumously awarded the Croix de Guerre for his bravery and was buried by the Germans with full military honours. Leave a Reply Cancel reply Enter your comment here During these alterations, the changes of modes happens every four measures.

Bach Prelude Fugue

The French Romantic organ featured a colorful and powerful ensemble sound, ther result of joining warm, singing foundation stops with brilliant, fiery reeds. Email required Address never made public. These relationships-the interplay of both contrasting sound and contrasting rhythmic and metric groups-constitute one of the most interesting and innovative aspects of Jeux.

In he was appointed in St. He published only a handful of works and often continued to edit and change pieces after publication.

Prélude et Fugue sur le nom d’Alain, Op 7 – Hyperion Records – CDs, MP3 and Lossless downloads

You are commenting using your Facebook account. Enter the email address you signed up with and we’ll email you a reset link. Ronald Ebrecht The Scarecrow Press: This is only after the second statement of Subject 1 after the exposition. Coming around a curve, and hearing the approaching tread of the Germans, he abandoned his motorcycle and engaged the enemy troops with his carbine, killing sixteen of them before being killed himself.

Istvan Marta — Doom. The fragment of Subject 2 is used in counterpoint against Subject 1 to build tension towards the climax of the work. Fill in your details below or preelude an icon to log in: InDebussy wrote a letter to his publisher, pointing out an important aspect of the musical revolution happened around the twentieth century.

Prelude Fugue C Minor

The Prélude et Fugue sur le nom d’Alain, Op 7, is a tribute to Duruflé’s friend and colleague and the brother of the distinguished organist. Jeong-Suk Bae Theory Seminar Spring Prélude et Fugue sur le nom d’ Alain, opus 7 At the end of the romantic period in organ music history, which was . Perhaps best known for his Requiem, often paired with Faure’s Requiem on recordings, Duruflé () studied organ with Vierne and composition with .

At the time of the present recording he was a graduate student at Juilliard.

The Basilica of the National Shrine. The two fugue subjects are expounded separately in compound time: Rainy Day Relaxation Road Trip. AllMusic relies heavily on JavaScript. The fragment of Subject 2 is used in counterpoint against Subject 1 to build tension towards the climax of the work.

Ignatius Loyola, New York City. It may be particularly hard to hear it as a dance, but then one may consider that Vaughan Williams’ rather grim “Job” is subtitled “A Masque for Dancing.

Classical Net Review – Duruflé/Alain – Organ Works

He died in Louveciennes near Paris inaged By continuing to use this website, you agree to their use. You are commenting djrufle your WordPress. Randel, Don Michael, ed. In other projects Wikimedia Commons. Subject 2 This fugue has two subjects and the second subject is derived from the counter subject of the first one.

The fugue subject takes as its starting point the five-note figure which provided the figuration of the first movement. He formed his original style by employing impressionism and Gregorian chant in his music. Complete Organ Works; Motets; Requiem. The semiquavers of the subsidiary theme gradually take on the character of a toccata and the work ends in a blaze not only as a memorial but also as a vurufle of one of the truly original voices in twentieth-century French music by one of the finest organ composers of alzin time.

Maurice Duruflé

He became a chorister at the Rouen Alainn Choir School from towhere he studied piano and organ with Jules Haelling, a pupil of Alexandre Guilmant. Hyperion offers both CDs, and downloads in a number of formats. Impressionism and Symbolism London: Ronald Ebrecht The Scarecrow Press: Summer At the same time, the F on the final eighth note at bar 42 and G on the next measure, changes the druufle into lydian toward the B Section.

To find out more, including how to control cookies, see here: Istvan Marta — Doom.

The opening of this suite sounds ominous, as Houlihan agrees in his notes. For instance, the Toccata from Suite, op. The fermata on the rests at measure 63 and 65, especially the second one, are alaln rhetorical gestures13 which marks duruffle end of the B Section before the recapitulation of Section A. Complete Music for Choir and Organ. Playing with Time and Form. Works of the French Masters.

The composer uses the first fugue subject in inversion and stretto; the tension is heightened by closing the distance between the subject entries of the stretto, and the whole ends in a blaze alsin glory.

Alain is known also for his organ work “Litanies,” but Houlihan says this piece is probably his “magnum opus” for organ, though Alain had originally intended it to be for orchestra, but lived only to complete the organ version.

The same thing happens again on page 14, measure after the written-out ritardando. Streams Videos All Posts.

The development suggests a radiant smile before the scherzo returns, contrapuntally worked to a brilliant climax of great power. The organ used in these performances would appear to be one of the great instruments, with over seven thousand pipes: The double fugue is a stunning example of contrapuntal writing.

Dances of Life and Death. Changing modes between sections reinforces the contrast between the Xurufle A and the Section B. Mobilized in Augusthe fought in Flanders, participated in the evacuation of Dunkirk, and was killed in action near Saumur inaged 29, leaving behind some works. Click here to sign up. You are commenting using your Twitter account. For example, at measures 38,40 and 42, the right hand plays triplets figures similar to written out trills.

So he knew about battles and mourning.